I was predisposed to dislike Sebastian Faulks, thanks to the fact that I am wanky and pretentious and listen to books podcasts. The particular one relevant here was one done by Mariella Frostrup and contained a review of the TV series Faulks On Fiction, in which she complained about how he failed to include any women in his “Heroes” episode, due to the fact he believed that they belonged in the “Heroines” section…which didn’t actually exist. Anyway, I had it in my head that he was a misogynist dick and therefore I would dislike his books. So obviously I read one.
I don’t know whether he’s really a misogynist or not, but he is certainly prone to arrogance and narrow-mindedness. I found that A Week in December was full of characters that were barely more than stereotypes. He seemed not to realise that writing about ‘real’ people does not have to mean writing about unexceptional people with very little depth. Similarly, all his female characters were utterly unconvincing, and even as supposed protagonists (Jenni, for example) lacked proper character development and were almost always seen through the eyes of male characters.
This total blandness was also evident in his style. Although he had clearly meticulously researched the various areas covered, it became ‘realism’ to the point of sheer mundanity. For example, when talking about John Veals’ banking business, there were some purely technical descriptions of dull financial transactions - not just the jargon often found in crime novels, but honest-to-god blow-by-blow drivel. A total and complete lack of poetry; no beauty to it whatsoever.
Honestly, the main feeling this book elicited from me was one of “Alright, I get the point”. He just labours everything; flogs it to the point where there’s no pleasure in it at all.
And not that I consider this the benchmark of great literature, but you could NEVER have this as a book club book - because there’s nothing to discuss and you could never say anything innovative or original about it. Every theme is spelled out, the limited number of traits he assigns his characters have been fully exploited. Only the stupidest book group in the world would ever bother. (Richard and Judy, you want to have a go?)
I don’t know whether you noticed, but I didn’t really enjoy this book. And despite being desperate to see the BBC’s adaptation of Birdsong, my extreme aversion to watching-without-reading-first compels me to declare that I will not be seeing it. There is nothing that could induce me to touch another Sebastian Faulks for quite some time.
Final Review of Final Review: Next time, I’ll listen to Mariella Frostrup. Fuck Faulks.